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Friday, December 07, 2007

Top Ten TV Shows Of 2007

Sorry for the brief hiatus...things in my world have been a bit busy lately, as I have now started blogging for the Limewire Blog, while still working at CMJ. It's been fun to write in the new home over there, so keep checking back for more old-school Underrated style posts. But don't worry, I'm here to stay. I'm going to be rolling out my top 10 lists over the next few weeks (although I am not as ambitious as my very talented boyfriend), so I figured I'd start with something more familiar. While this blog is and always will be a music blog, since I spend so much of my time writing about music I've used this space to delve deeper into my other entertainment loves. Recently, it's been a lot of TV, so here are my top ten. Since it looks like this strike may last for a while, go ahead and rent some of these shows on DVD. You will not be disappointed!

10. How I Met Your Mother (CBS)
In the age where new sitcoms are less than inviting, CBS's HIMYM somehow manages to turn formulaic plot lines into hearty laughs. It comes down to the fluidity of this fantastic cast, as each plays off each other in a way that isn't contrite. Everything, from a New Year's Eve limo ride to a slap count, doesn't try too hard to be funny and instead feels an experience you could have had, however without as witty of a banter. Neil Patrick Harris has done a superb job playing Barney, carefully hovering over the thin line between awesome and exaggerated. In the end, you don't care if Ted stays with Robin or who the actual overarching mother is. It's an episode by episode enjoyment, with never a low point. Even if one night you think it will be dragging, there will be one line that will leave you chuckling until well past Monday night.

09. Weeds (Showtime)
Sure, it wasn't the best season of the critically acclaimed Showtime season, but even when Weeds is at its worst, it still beats out 90% of what is on TV. Mary Louise Parker is, hands down, one of the greatest female actresses of our time, and with each mistake Nancy brings on upon herself, you want to root for her to keep being sassy and sarcastic and incredibly strong—all at the same time. Who would have thought that a show about a pot dealing suburban mom would be so socially aware without being preachy? This season's finale left a lot to be wondered about where the family will go, but as long as Mary-Kate stays out of too many scenes and the wonderful Kevin Nealon is in more, I'll be just fine.

08. Top Chef (Bravo)
Okay so I'm not the best cook, but that doesn't mean I can't enjoy a good cooking show once in a while. So when I'm not feeling gathering inspiration from the food network, I'm watching aspiring chefs duke it out on Bravo's most delicious reality show, Top Chef. This network knows how to do reality TV, focusing more on the competition than the drama and letting true talents, rather than true crazies, shine. This season didn't have the Ilan I fell in love with, but it did have a fantastic grouping of odd flavors and spices. Yes, I wasn't thrilled that Hung took the top prize (was rooting for the underdog Dale), you can't argue with that boy's knife skills. Wowee.

07. House (FOX)
Hugh Laurie can do no wrong. How is it that I completely adore an arrogant pompous Vicodin popping loner? Because he's a genius, that is. Both Laurie and the character he plays make a somewhat redundant show increasingly entertaining with one quip-witted line. Someone will always have a seizure and they will always (well most of the time) solve the mysterious case, but no matter how ridiculous the story lines seem to get, Laurie and his team's banter keep me tuning in each week. This season's Survivor-esque showdown created some humorous moments, and although it was quite obvious who he was going to pick at the end, the rose/tribal ceremonies made it all worthwhile.

06. The Sopranos (HBO)
It had to come to an end, and in the final moments of a black screen all I could think of is how truly remarkable this show is. Get over the initial shock and it all becomes so clear. David Chase's mob drama was easily one of the best television shows of our time, with its complex story arches and metaphors growing deeper with each season of the show. Violence became art, as Tony and his crew reminded us what old-school justice is all about. Growing up in Jersey it was easy to see how genuine the show attempted to be—no, I'm not in the mob—while still revolutionizing hour-long dramas on the small screen. Journey's "Don't Stop Believing" will always be remembered as my final farewell to the Soprano clan, and whatever your interpretation is of how this fantastic show came to a close, just think about how refreshing that lack of clarity really is.

05. The Office (NBC)
What can I say about this gem of a show that hasn't already been said? There's nothing better than an awkward laugh at the folks at Dunder Mifflin sure know how to make an experience awkward. I cant help but laugh out loud as Michael tries to do his best and fails, while Dwight stands noble and Jim gives funny looks to Pam. It's as formulaic of a show as you are going to be, which makes its location even the more appropriate. Offices are a humorous thing when you really think about it, but this remarkable cast has gone above and beyond to deliver crafty lines on a regular basis. Sure, I wasn't thrilled with the Pam and Jim story line this season, but even so—I never, ever, stopped laughing.

04. Californication (Showtime)
Hands down the best new show of the year, Califonication successfully brings back the screwed up world of shows like Six Feet Under where dark comedy rules, and characters are flawed. Hank Moody, played so well by the enjoyable David Duchovney can't get his life together, and he shouldn't. Because while he's screwing up everything around him he's helping us look at a world that isn't perfect and isn't supposed to be. From the first minute that I watched the show all I wanted to do was get back into writing creativily because the mind of a writer is something so relatable. We're all trying to figure out the meaning of life, and if I had a choice, I'd let Moody be my guide.

03. Heroes (NBC)
Stop your complaining. Stop expecting everything to happen all at once. Think about reality television. Think about the idea of a comic book series on TV. Think about the number and diversity of the cast and think about the success of a silly tagline like "Save The Cheerleader, Save The World." It really bothers me sometimes when viewers will not have patience with television shows. If you loved the first season, trust the writers and creators the next time around. Sure, there were some mistakes (ahem, Wonder Twins) and interesting dialogue but it is always worthwhile in the end. Remember that Heroes is divided into "Chapters" and not every page of every chapter in a book will be some crazy fight scene. We're beginning to unravel the scale of what we've grown accustomed to in this show, so take a deep breath, ogle at Peter's pecs, and just enjoy this show.

02. Lost (ABC)
Oh Lost how I love you so. My relationship with this show is much like any close relationship in life, it has its ups and it has its down. But I always admire intelligence and passion, and this show has proved that you can have both on primetime TV. The second half of the third season proved to be its most ambitious yet, with the reveal of Jacob, the flash-forwards, and Dharma's intentions. Locke and Ben are easily the most intriguing characters out there, with a very weary confusion between good and evil. With its grand themes and carefully places references to pop culture's past, Lost continues to wow me with each twist and turn, and you can bet I'll be sticking with it to the very end.

01. Dexter (Showtime)
I didn't watch the first season of Dexter when it aired on Showtime, but sometime during the summer I decided to give this strange show a try. What I discovered is now a deep obsession with the most complex character I've grown to love, played so brilliantly by Michael C. Hall. I can't even begin to explain the trials me as a viewer goes through on a weekly basis trying to understand the workings of a serial killer. But he's a justified serial killer, we think, but as Season Two has unwound we are not so sure. I sit on the edge of my couch with every piece of evidence shown, as its growing closer and closer to our dear Dex getting caught. A cast of characters that are both in tune and out to the world around them is terribly interesting, and its deathly disturbing not knowing how it will all play out.

Monday, October 08, 2007

Weeds 3.8 - "The Two Mrs. Scottsons"

I'm a little behind on my TV, but I didn't want to post about last week's Weeds after tonight's episode for one main issue: Man Man. The band was the featured musical act on last week's episode which meant they got to sing the series' theme song and have a couple songs featured throughout. Some great moments of Nancy chasing after the ex-wife, psuedo incognito and our dear Andy getting into a tricky situation. Thankfully, not too much MK and a lot more Shane. I think I'm ready for our friend Sullivan out there or it's going to be another major catfish between Nancy and Celia. Actually, that could be fun. Seems like there's only a couple more episodes to go in this season and I can tell its leading to something major. Until then enjoy the fantastic rendition of "Little Boxes."

  • Man Man - Little Boxes
  • Tuesday, October 02, 2007

    Dexter 2.1 - "It's Alive"

    Best show on TV? It's up there. Showtime's Dexter has become my new obsession, after finally sitting down and watching the entire first season in two days, only a couple of weeks ago. I couldn't imagine what it felt like for those who had watched last season, having to wait all summer for the continuation in this dark saga. Michael C. Hall has the uncanny ability to make you love and hate him, to feel disgust and sorrow, in the matter of a single word or facial expression. Never have I been witness to a show so complex and deep that has evolved into a certain odyssey of contemporary times. In short, you should be watching. It's frickin fabulous.

    This first episode of the second season was a definite edge-of-your seat roller coaster. Our dear friend Dexter is having problems following the killing of his brother at last season's end, and although he's itching to satisfy his urge, he can't—he's being watched, and he's lost his touch. Regardless we see him try and try and it's surreal to be rooting for someone to kill, but we know he needs to, and as dark and disturbing as he may be, he needs to survive. But my god, that ending. Seeing the number of bags being pulled out of the water, I felt sickened and scared. Maybe it was good he's taken some time off? All I know is that this is going to be...one hell of a season. Tune in if you know whats good for you. Showtime. Sundays. 10 PM.

    Thursday, September 27, 2007

    Weeds 3.7 - "He Taught Me How to Drive By"

    Ever since my friend told me about the show Weeds, I've been an addict. Isn't that the most appropriate terminology for a show centered around a drug dealing mom? Mary Louise Parker stars in one of the most unconventional dark comedies, where a picture perfect town isn't as ideal as everyone would like to make it seem. Together with an incredible supporting cast (I'll let them slide on this whole Mary-Kate Olsen thing), Weeds keeps Showtime up at the top, executing top-notch comedies and dramas that don't fit into the mold of network TV.

    This season we've seen Nancy struggle, as usual, in some of her darker times—that scene where she jumps into the pool with the Thermals playing in the background was one of the greatest music in TV moments, on par with Six Feet Under's use of Radiohead while burning the contents of their house. In this episode especially, we got some great Andy/Doug/Dean lines, and Shane Botwin may be the greatest kid ever. And okay, MK wasn't totally annoying, although great writing helps any wannabe actor. It was sad to have our first episode without U-Turn, although that funeral scene was hilarious. It's so frustrating to watch Nancy. You want her to win, but you know each time she gets herself deeper into a problem, it makes for much better TV.

    The most interesting part, however, about this episode was its theme songs. If you aren't aware, each episode has a different artist covering the track "Little Boxes." We've seen a slew of great indie artists take their turn, but this week was the first rap artist, the Individuals. I couldn't find an mp3 of the track, but you can watch the video below. Pretty cool, eh?